World Music School Helsinki

Is a non profit association registred in Helsinki, Finland.

It wishes to be a replicable experience that makes Helsinki the starting point, and proofing grounds of the concept.

We teach music as a mother language by mixing experts with beginners from the very first day through monthly folk dance events. Each event combines two local minorities and rules, such as reading notes and posture, are added incrementally. We generate income from the teaching and events, and with it we subsidize the lessons of the students who go to our local events. Students must play at our events in Helsinki but teachers can be from anywhere. We publish all the the music, dances and cultural content for free and in interactive platforms to allow constant improvements.

 

The World Music School Helsinki Video

IN PRACTICAL TERMS THE SCHOOL

  • organizes monthly folk dance events by mixing each time two distinct cultures (eg. Kurdish and Irish) with the local one (eg. Finnish).
  • manages a list of teachers worldwide but does not influence on their teaching methods (eg. Suzuki, Orff, etc.) the teachers remain independent on their teaching methods (teaching directly to the student) but having content guidelines on the next dance event to which the student should prepare for
  • creates open publications of their work

FILLING IN A GAP

The WMS fills in the gap between the many high level teaching Institutions and the informal music sessions spread out around the country. Finland needs such a school because exploring music traditions of other countries and continents will not only increase participants knowledge of different cultures but also strengthens everyone`s own cultural tradition. The WMS will contribute to development of social capital, new cultural skills and mindsets for future Finland.

THE TEACHING METHOD

1 – We mix experts with beginners, where rules are added later and incrementally.

2 – As a language, students use immediately what they learn, performing from day one to improvise and make mistakes. To achieve that, we use folk dance music because:

  • it uses easy to pick up tunes through their repetitiveness and simple arrangements
  • it focuses, not on the musicians, but on the social gathering itself, taking the pressure away from the learning.
  • It offers room for more experienced players to improvise showing to the novice its power as means of expression
  • it gives an immediate recognition effect (as in games)
  • it enhances the body language (via dance) decreasing the need for a common native language

3 – We increase the student’s knowledge by focusing on the “words” (instruments and repertoire) they like most. For that we generate income from the monthly public dance folk events where students play with others. That money is used to subsidize further private lessons. Students can choose from our list of teachers worldwide and via video-conference, they learn their favorite “language” so they can come back to the dance events and perform further and even teach others!

4 – We document the process in a systematic and interactive way to promote further improvements. The events content and outcome is documented via the latest available technologies such as Virtual Reality 360 Cameras, to allow a multitude of exploration and participation of the public and of students.

PRESS ARTICLES

elcomunista“The World Music School, do not intend to use such Music and Dance events to oversimplify public discussion.”

“A escola portuguesa que sonha ser um “uber para músicos” está a caminho de África”

 

elcomunista “Podemos y debemos utilizar las minorías locales, juntarlas, para obtener un mejor conocimiento de nuestra propia cultura.”

Meet The Team

We are a very diversed group of people from different backgrounds and expertise.
Since February 2016, when the board members sat together and wrote the association principles, we have been welcoming new members. We are in this because we believe this work is very relevant to local communities and to societies.

Pedro Aibéo

Pedro Aibéo

Chaiman

The founder of the World Music School. Architect, musician of the Band “Homebound”, the founder and artistic director of “Cidadania theatre and games group” and a published comic novel artist.

aibeo@worldmusic.school

Tiina Laurila

Tiina Laurila

Board Member

Sustainability Specialist at Northern Camelion. Environmental / sustainability management, Design for Sustainability, Virtual teaching in higher education.

laurila@worldmusic.school

Susu Nousala

Susu Nousala

Vice Chairman

Writer, Senior Academic Researcher focusing on cultural heritage, community and educational networks.
Background in visual arts, music theory, violin and saxophone and Finnish folk dancing.

nousala@worldmusic.school

Gonçalo Cruz

Gonçalo Cruz

WMS Porto

A maker, tutor and researcher of Iberian Bagpipes. He is a music composer and guest musician on live and recorded performances, founder of non-profit Portuguese music organizations. Earned a M.A. in Architecture and a tutor’s pedagogical aptitude certificate.

porto@worldmusic.school

Javier Sanchez Perez

Javier Sanchez Perez

Artistic Advisor and Educator

Bass player and composer.
Focused on combining traditional folk styles and their inclusion in a contemporary music context. Graduated from Berklee College of Music and University Complutense. Master studies at The Royal Academy of Music and Sibelius Academy.

sanchez@worldmusic.school

Lars Högström

Lars Högström

Graphic Designer

Lars is a graphic designer based in Helsinki. He studies graphic design at Aalto University. Within visual communication he has an interest for critical design and self publishing. In between projects Lars enjoys listening to rap music and making spicy salsa.

hogstrom@worldmusic.school

Melonnie Manohar

Melonnie Manohar

User Experience Designer

As a UX designer Melonnie concerns herself with understanding user mindsets and thereby translating them into functional products and services. Besides designing, travel keeps her spirits up.

manohar@worldmusic.school

Елена Килина

Елена Килина

Shanghai Ambassador

At WMS Shanghai we are looking to bring people together from many different backgrounds to play, sing and dance with more experienced teachers and practitioners.

shanghai@worldmusic.school

Sebnem Jarventaus

Sebnem Jarventaus

WMS Helsinki

Responsible for the cultural production of the events in Helsinki

Wilfrid Houndje

Wilfrid Houndje

WMS Grand-Popo

A very experienced cultural manager, with proved work under ciamo, he is our Ambassador of the World Music School in West Africa, most exactly at Grand-Popo, Benin.

Grand-Popo@worldmusic.school

You, here!

You, here!

 

 

We are always looking for motivated people for our team. Send us an email

HOW THE SCHOOL WORKS

[in detail]

a network and a cooperative

Fig. 1 – The “virtuous circle” self-sustainable by which musicians-teachers involved in the school will give a series of lessons/workshops paid by students with a subsidized fee.